So what happened on the tour became all very jumbled. We went from one coast and then back to the other. I have seen, heard, and witnessed unspeakable banalities. What is a good tour though, without a good tattoo. And if, after questioning, I am led to explain the story of my tattoo I get to say "I got it on tour" which translates into "I had an interesting life once upon a time."
So I kind of want to explain what it is and why it is, and all things related to permanent life decisions. What I got was this:
on the back of my right arm. Well not the whole thing, just the cello-man hybrid. What that is from, is Roy Lichtenstein's Cubist Cello. I liked the idea of a cello, its one of my favorite instruments that I do not play. The cubist element combines the perfect angle of art and logic -- mathematical yet emotional. It's bit of a yin-yang in its own existence.
But more importantly, it kind of solidifies myself and my musical career through the spirit of Roy Lichtenstein. We have some similarities. He was a pop artist, often criticized by his use of popular culture to make contemporary art. But instead of seeing popular culture as a consumer product, he saw it as a pallet from which to draw new ideas from existing social memes.
I'd like to think that good art doesn't rely on shock value, networking, or sexiness, sometimes its just a more accurate mirror.